Using colour, either bright, muted or in between, is one of the things I most enjoy about textiles. When I made ceramics, strong colour was something that happened after a series of processes. Using fabric, fibre and paper with their immediate colour hit was a joy when I changed my media, and it still is.
A recent walk in our suburban streets and a brief forage in the garden turned up some inspiring leaves, in terms of both colour and shape. The ginkgo leaf is from one of several ginkgo biloba trees planted by Birmingham City Council, who whilst cutting costs in every way seem to be keeping up their tree planting programme. Perfect, as they look good and mop up pollution and prevent flooding. I am sort of obsessed with trees, they seem to appear automatically in much of my work.
A lovely group of fresh bright greens and a fuchsia bud, with a few materials sorted, to provide more inspiration for some new work.
The colours were making me feel that it’s time to explore one of my favourite topics, the rainforest, so out came this little gem of a book picked up second hand ages ago. It has supplied me with quite a few subjects over the last few years.
I do like to use my own source material and images as much as possible, but since these birds don’t seem to visit our garden, and I don’t visit theirs, books like this are invaluable.
Above, some collage papers and fabrics, ready to experiment with. I use these to make actual work or just to try out ideas.
Of course, the first piece I made completely ignores those luscious greens and pinks. I painted the yellow and black watercolour composition at the bottom a couple of years ago, just as an experiment in loosening up and not aiming to produce anything in particular. As is the way with these things, I produced several painted pieces that I liked more than the more considered work that one slaves over for ages.
So, here it is used in this mixed media piece, in fact it made all the decisions about which direction the work went in. The piece is mostly paper, with some fabrics, and I will add some stitch for texture and definition, but not too much. It’s 65 x 38 cm, 26 x 15 inches. I was hoping to work small, but failed.
The work below is entirely fabric, and once again the original colour inspirations have been waylaid. I don’t mind this, it’s just the way new work goes. You choose the materials that you like best and work with them, even though that fuchsia pink and those bright greens seemed to be the whole purpose of the exercise. I liked this quiet linen as a background, and also used some recycled pieces of an unfinished embroidery made using painted fabrics, for the trees.
The image goes with some words I have written about the Moon and the rainforest, and that has dictated the colour scheme too. It’s 50 x 35 cm, 19.5 x 14 inches.
Above, three shots of work in progress.
And below, a small pattern piece, in which those greens and pinks make an appearance at last, in the form of giant floating fuchsia buds and ginkgo leaves.
They have all yet to be stitched.
And to finish off, below, a little drawing to remind me of a design idea for a future piece of work, medium as yet undecided.