Colour and light.

The light changed a couple of weeks ago, from bland summer light one day to more considered autumnal light the next. I’ve noticed before that it can seem to be an overnight occurrence. Whilst I miss the long summer days,  I love the complexity of this light, and the cooler interludes suddenly invaded by a a few hours of hot sun before some quite wonderful clouds move in to take charge of the situation.

I was at the Festival of Quilts in August, and one of the many things I enjoyed there was stocking up on some fabrics. This was interesting, as I only intended buying calico to paint and print on. The thing is, new fabrics bring stimulation and new ideas, increase creativity and basically are just so much fun to choose and buy. To be honest I just loved buying stuff. However, it’s not just adding to my stash, honestly, my fabric supplies had gone right down to basically just some calico, and my own painted and printed fabrics, which were also quite low.

So, here’s my new fabric drawer, full of lovely raw materials for future work. I also bought more calico to use for some new painted fabric, as I always like to use personal fabrics as well as commercial fabrics in my work. There’s a mix here of Moda Grunge, Oakshott cottons, silk, felt, African and Japanese fabric, plains, and a couple of patterned pieces I liked.And probably one or two other bits of cloth I’ve missed.

So, some new work has emerged using the new fabrics, which proves, as far as I’m concerned, everything I’ve just said about increased creativity…

One of my favourite little birds, Gouldian finches, make from a mix of painted fabrics, commercial fabrics and silk organza, waiting to be hand stitched. 48 x 48 cm/19 x 19 inches.

Below, the whole piece and the stitching started.

Below, more colour with this red throated bee eater, the same size as the piece above.

I’ve used quite a lot of my pained fabrics in this piece, but the background, as in the Gouldian finch piece, is Moda Grunge fabric. This is handy fabric as it looks hand painted; I have a very small studio so it helps not to have to paint large pieces of fabric for backgrounds, I can concentrate on smaller more intense painted and printed pieces. I need more acrylic paints too, goodo, another shopping trip!

To finish, some early autumn reading. Not having been on holiday for quite a few years gives one the wonderful justification for a little book buying spree. Naturally this justification can be used indefinitely.

I saw the Opus Anglicanum exhibition in 2017, and it is one of a handful of my favourite exhibitions of all time. The book is fantastic.

Another favourite exhibition, one I saw a few years ago, was of illuminated manuscripts at the British Library. The colour and detail of the illustrations in the manuscripts and Opus Anglicanum embroidery is such an inspiration. So I went a little crazy and bought three books about medieval manuscripts; Christopher de Hamel is such a good writer, witty and erudite and addictive. The Seeds book I have wanted for ages, it is so brilliant. And lurking beneath is Dorothy Dunnett, not that we can ever accuse Dorothy of lurking. It’s the first of the House of Niccolo series. I now have all eight books, purchased by various methods, from charity shop to new, and although I have read the first two, some years ago, I’m starting at the beginning again. Got to love Dorothy, also witty, erudite and addictive.


4 thoughts on “Colour and light.

  1. I’d love something ‘witty, erudite and addictive’ . Not Dorothy Dunnett though by the sound of it! How lovely to be able to leave a comment again here Steph.Somehow I could not do so for the last few posts but that is rectified and I can say what I like again about those beautiful birds and your instinctive use of colour. Love the depth of the fabrics and drawn to those batik like patterns in the first photo. What a joyous spending spree, topped off with books! We can never have enough books. I’ve just bought The Northwest Passage by Barbara Rae which would appeal to your sense of colour with the layers she prints in but I see I might have to have a copy of some of yours too. The seed book looks like it has my name written all over it and the others appeal to me because they remind me of stained glassdrawings in churches, another passion/obsession. Reading your blog is not good for my purse but it feeds my soul!

  2. Great to hear from you Lesley; I think the seed book would be perfect for you, and the manuscript books too. Go on, give Dorothy a go, she’ll keep you going for years! I love old stained glass too, some of the painting is so exquisite. My first thought when I look at all this art is those artists who made it, their lives, skills, and the fact we can appreciate now, which they will never know. My second thought is that they did it all without electricity…

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