Art, nature and stitch.

That’s quite a grand title for what is basically a round up of some recent activities.

I’ve been finishing some work and starting to design, make and produce patterns and step by step instructions for some new appliqué patterns which will be available soon. I’ve been thinking about doing this for ages, having done something similar for various magazines in the past, and of course there are some projects in my book. I enjoy devising these patterns so have decided to make more. They take time though, so won’t be appearing just yet.

So no images for those yet, but here are a few images from a recent trip to London, followed by some tapestry inspiration from Coughton Court, a Tudor house in Warwickshire. Then there’s a new needlepoint, and some images from a visit to Packwood House, also in Warwickshire.

Below, the view from the London hotel room window onto Tavistock Square, followed by four images from the fantastic Oceania exhibition at the Royal Academy.

The stick charts, above, were both beautiful and useful, being accurate navigational aids made from canes and shells.

A black headed gull who posed on these railings by the Thames for some time, obviously determined to be photographed.

Next, some images from the Anni Albers exhibition at Tate Modern. Weaving is something I love and admire, but I certainly don’t think I could ever do it. This was a most inspiring exhibition.

The centre image above was my favourite piece in the show.

One of my favourite textile activities is needlepoint, and I am much inspired not only by modern weaving but also considerably older tapestries. I am lucky enough to be able to see quite a lot of these in the various National Trust houses I visit. I spend a lot of time peering at them like Mr. Magoo, and I like to photograph areas of them which then look like wonderful abstract patterns, with the obvious subject matter removed.

One day I may incorporate some of them into a needlepoint piece, but ideas for needlepoint run faster than the actual making! I need larger holes and bigger stitches, obviously.

The faded yet rich colours of these tapestries are wonderful. Pinks and blues aren’t my usual go to colours but that may change.

And now some images of my latest piece. I hope to make a series of pieces for a show in 2020. To be honest things are not moving on as quickly as they should be. Perhaps the Christmas break will afford some more hours.

And this, below, is how far I’ve managed to get after a couple of weeks. My excuse is I only work in the evening on the needlepoints. I need longer evenings. It measures 42 x 36 cm, 21 x 14 inches. No more excuses, I just need to get on with it.

Below, winter sun at Packwood House, and one of the gorgeous oak windows there, elegantly decorated by nature with rosehips.
















12 thoughts on “Art, nature and stitch.

  1. Hi Stephanie,
    Love your designs.
    What make/type of thread do you prefer to use for your needlepoint.

  2. At the risk of repeating myself I continue to be in awe of the needlepoint designs and their execution. I just don’t know how you have the patience…. or good enough eyesight for it all! I love all the individual stitch detail in those leaves on the left hand side. Such beautiful colourways. Sigh!!

  3. Thanks Lesley. My eyesight isn’t that brilliant, I need more light these days. They are quite big holes in that canvas, that’s why I like it! Also nice big eyed blunt needles, ideal for the clumsy…

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