These days a lot of blogs generally seem to have been superseded by Instagram, but those of us who like a bit of a woffle tend to plod on regardless with the blog format as well as all the rest. I seriously think I did more actual work in the past, before all these sharing platforms took over. I do enjoy using them but think that one day I will simply stop and grow my own veg instead.
So, let’s woffle on. For the last couple of months I have been working on some patterns to sell as instant downloads from my rejuvenated Etsy shop; better not duck off social media just yet then. I really enjoy the design and the making up of the patterns, having also done this in the past and in various articles I have written for magazines.
I have spent some time recently weighing up my work and deciding whether to go completely arty or completely commercial. Many hours were taken up with these musings, until I came to the conclusion that as I enjoy and want to follow both paths, that’s what I’ll do. It is generally one thing at a time though, and the patterns have taken over while I get the shop up and running. Here are the first four, below, all designed to stitch and stay in their hoops if the maker so wishes, or to be used as framed pictures, quilt blocks, or indeed whatever the maker wants to use them for. They are nothing if not versatile little chaps.
My other work is following, in direct contrast to these jolly patterns, the usual convoluted path. I am working on a collection of mixed media work called Stories of the Lost and the Found.
This work has been featured previously on my blog, but has moved away from the original book format I was contemplating. I’m using a mix of digital print, collage, needlepoint and stitched textiles combined with porcelain in these pieces. Yes, I have managed to make it as complicated a project as I possibly could, but in my new attitude of acceptance, well, that’s the way it is.
The needlepoint part of it is great as it sits around waiting for the evening when I work away at it, completing a very small amount in a not ungenerous amount of time. The project needs to be done for summer 2020, which sounds as if I have ages, but things are at the moment very very slow moving. I think I need a few lists to clarify what I need to be up to, but, until I can present a logical and coherent statement of intent, here are a couple of images of the needlepoint that is on the go at the mo.
Below, the design and drawing out stages.
And some early stitching, below.
This piece is an autumn piece, and there is text to accompany it. In the image below you will notice that it’s been through a change or two, those giant floating berries weren’t quite right. As usual at this stage there is serious veering to the left. I love tent stitch but it’s naughty. It will look fine when blocked. It’s around 50 x 35 cm, 20.5 x 14 inches.
Lastly, I’m teaching a course, Beautiful Birds, at the RBSA Gallery in Birmingham on February 21. It’s my favourite place to teach, and the students seem to like it too! Contact the gallery if you fancy coming, it starts at 11am and runs until 4.30pm. www.rbsa.org.uk